Home Entertainment Salman Khan pens down a beautiful foreword for Asha Parikh’s book

Salman Khan pens down a beautiful foreword for Asha Parikh’s book


Salman Khan pens down a beautiful foreword for Asha Parikh’s biography which is due to release on 10th April. The book is ion the form of a love letter of the bygone era, the 1960s.

Here is an excerpt from the foreword

“The 1960s, the decade which defined her peak period, were notable for plots about the conflict between the wealthy and the poor. She would often portray a sweetnatured girl who falls in love with a boy who may not have been fortunate enough to have much money in his pocket but his heart would be richer than any king’s treasury. The prejudiced elders of her family and the villain with dishonourable intentions would be defeated in the end, proving there is nothing more important than to fall in love and preserve this connection for the rest of one’s life.

Today love can be on a short fuse. There can be a power breakdown or a separation of ways in a film’s strings of sequels or what are called a ‘franchise’. The hero or the heroine can change in the next edition of a franchise. Happy endings, the kind which were ordained for Ashaji and her heroes are not possible any longer. It all depends on which hero or heroine is marketable when a sequel is launched.”

“For a good artiste it is a must to be a good human being. In this context Ashaji’s kindness and concern for people in need continues to be a noteworthy example. She has been running a charitable hospital since decades. Which other artiste has done that in Mumbai, a city which is all about I-Me-Myself ? It could not be a smooth task for her to keep the institution running and helping out those who do not have sufficient resources for medical treatment…”

“Sometimes one wonders why Ashaji opted out of the movies prematurely. Maybe she was not satisfied with the roles offered to her of the clichéd mother figure who has to suffer and shed tears. Maybe she did not want to be a part of a system averse to writing strong roles for senior women artistes. Maybe she wished to quit at a point when there were no new challenges for her as an artiste. Whatever the specific reason may be, we have had to accept her decision to stay away from the studios. The decision could not have been an easy one to take but she has, depriving me of the chance to be with her in the same frame.”